As a new year quickly approaches I feel that the best way to close out this year is by posting my top 10 movies of 2010. I know that there are plenty of lists out there compiled by contributors from Entertainment Weekly, Time, and any other source you choose to pick from, but for some reason none of those lists shave satisfied my own preferences by any stretch of the imagination. Time Magazine's Top 10 list that seemed to lean to the political spectrum, and yet the majority of the films on their list had limited releases so few people had the opportunity to see them. Entertainment Weekly's critic, Owen Gleiberman published a list that included a several films that I couldn't even finish. I did find JoBlo.com's Top 10 list to be one of the few that actually included films that truly deserved recognition. I know that several of the films I have picked might not make most people's lists let alone receive the recognition they deserve from any of the award circuits, however there is something about each one of them that has made them my go to films of the year. Each has left a last impression on me unlike many of the films that have recently received nominations from Critic's Choice/People's Choice/SAG Awards. With the award season quickly approaching I feel since many of my picks for the year will not receive proper recognition I must do my part...
So in honor of 2010, here is my pick for the Top 10 Movies of 2010.
1. The Social Network
2. Black Swan
3. The King's Speech
4. Kick-Ass
5. Toy Story 3
6. How to Train Your Dragon
7. Mao's Last Dancer
8. Restrepo
9. The Fighter
10. She's Out of My League
Additional favorites: Tangled, Book of Eli, Creation, My Name is Khan, Green Zone, Girl with a Dragon Tattoo, Girl Who Played with Fire, Girl Who Kicked the Hornet's Nest, A Nightmare on Elm St, Holy Rollers, Despicable Me, Inception, Let Me In
Friday, December 31, 2010
Friday, December 10, 2010
The Tourist -- Review
What would you do if the beautiful Angelina Jolie approached you "randomly" on a train while you are in a foreign country? Probably double check to make sure it wasn't the Octo-Mom trying for another 15 minutes of fame for playing out a scene from Jolie's last flick. The Tourist is one of those films you wish you hadn't seem no matter how many reasons there were telling you to go. Yes it looked like it had potential of being something great. Yes it is a collaboration between some of the hottest stars in Hollywood. Yes you even would have believed that it could have been great. Unfortunately it turned out to be almost as disappointing as Skyline.
The Tourist should have been "the next big thing" and comparable to Mr. & Mrs. Smith, but other than the premise of the film (and a dance shared between our characters) there is very little that even came close. I wanted there to be passion, action and heavy gun fire. I wanted to see Depp give us some serious action. I wanted Jolie to be the action star we all thought she was. But none of that came. I don't know if it is age catching up (however if The Expenibles can pull it off so should Jolie and Depp) or if parenthood has just tripped them up a bit now that both leads are between big flicks. Even the amazing Paul Bettany (Legion and Creation)was a surprising bore.
The Tourist felt almost like a gentle nod to the classic Bond films. You know, the ones that today's film go-ers would fall asleep during (present party included while attempting to watch Goldfinger). Yes they are classics and nothing can touch them, but they are classics for a reason and should be left alone. When we are given something like The Tourist we have certain expectations. We want what could have been the perfect blend of Mr. & Mrs. Smith meets Salt. Instead we were given the grandparent of those films it moved at such a slow pace I almost thought time itself had slowed. Had I not been sitting in the middle of the theater I would have walked out in the hopes that I could use the remained of the night to actually get something (anything) accomplished.
Aside from the tease the film gives us with a quick glimpse of Rufus Sewell (Dark City), who should have been someone to the story but in fact left us confused and unsatisfied, there should have been something left for viewers to walk away from the film feeling. But it left me with nothing but an empty hole. The Tourist is a weak attempt at a "spy vs spy" film regardless of the talent and A-list names that have been dragged into leading roles. For this being the first time (and at this rate - hopefully the only time) we get to see Jolie and Depp together on the big screen it was as big a let down as Tim Burton's Alice in Wonderland. I have never before said that a Jolie or Depp film has been bad or lacking, but I will scream it from the top of the Empire State Building if I have to. You all have let down a great admirer of your work, and I am truly sorry to have wasted my time with you on this journey. Please spare us the next time you plan to work together as I would much rather watch you kick ass individually than be disappointed like this again.
I give The Tourist a 1.5 out of 5.
The Tourist should have been "the next big thing" and comparable to Mr. & Mrs. Smith, but other than the premise of the film (and a dance shared between our characters) there is very little that even came close. I wanted there to be passion, action and heavy gun fire. I wanted to see Depp give us some serious action. I wanted Jolie to be the action star we all thought she was. But none of that came. I don't know if it is age catching up (however if The Expenibles can pull it off so should Jolie and Depp) or if parenthood has just tripped them up a bit now that both leads are between big flicks. Even the amazing Paul Bettany (Legion and Creation)was a surprising bore.
The Tourist felt almost like a gentle nod to the classic Bond films. You know, the ones that today's film go-ers would fall asleep during (present party included while attempting to watch Goldfinger). Yes they are classics and nothing can touch them, but they are classics for a reason and should be left alone. When we are given something like The Tourist we have certain expectations. We want what could have been the perfect blend of Mr. & Mrs. Smith meets Salt. Instead we were given the grandparent of those films it moved at such a slow pace I almost thought time itself had slowed. Had I not been sitting in the middle of the theater I would have walked out in the hopes that I could use the remained of the night to actually get something (anything) accomplished.
Aside from the tease the film gives us with a quick glimpse of Rufus Sewell (Dark City
I give The Tourist a 1.5 out of 5.
Friday, November 12, 2010
Skyline -- Review
There is something about films that just suck the life right out of you. No I do not mean that because I went to an 11pm screening, I mean it literally sucked the life out of me. The monster child of Colin and Greg Strause takes all that was great about Independence Day, Cloverfield, and District 9 and gives you a crack baby called Skyline. I'm sure they will make their money many times over since this film was shot on the "measly" budget of $1m, but that does not mean that it should.
I mean, remember those films you and your friends made back in high school, or even those college projects your significant other made you watch before they submitted it for a grade because they wanted "an honest opinion" on it? Well now imagine one of "those" projects with a $1m budget... Doesn't make it much better, does it? Just because you have that kinda dough to play with does not give you the right to make us movie goers suffer through a 92 minute film just because you got bored while in between projects. Keep to what your good at and leave the story telling to the "professionals".
Skyline not only has a half-ass story being told by someone who can't tell which end is up, but there is ultimately NO POINT! It's like a kid who loves Legos was just let loose in Lego World and builds some of the most intricate pieces of abstract sculptures that are amazing to look at, but when placed in a row (which he calls a "series") does nothing but jumble the pictures into an "artful mess". That is Skyline. The visual effects are out of this world, but the "art school" cinematography and dramatized slow-motion sequences (along with laughable dialog) take away from what really could have been something. There were glimpses of moments where the story could have taken a turn, but fell right down the sewer.
From brain eating aliens, to action that didn't really make sense, to the cheapest actors imaginable as your main characters (most likely friends of Colin and Greg who thought the idea might have been cool for all of 3 seconds), all the way to an ending that only Disney could have dreamed up. It was one disappointment after another, until the suspense built up so much I jumped at NOTHING which not only sent the poor guy suffering next to men into a fit of giggles but I had to apologize for how lame I felt for that slip of thinking that they finally may have done something right.
Unfortunately Skyline is a less than desirable flick for this weekend. I would suggest saving it for when you're home with your gamin' buddies, just finished some serious fragging, and looking for something to watch while killing your "sudden munchie craving". Maybe then something will be interpreted out of the film.
I give Skyline a 2 out of 5 for effort. But guys... About that sequel you teased to at the end...How about let's NOT and say we did. Just a thought.
I mean, remember those films you and your friends made back in high school, or even those college projects your significant other made you watch before they submitted it for a grade because they wanted "an honest opinion" on it? Well now imagine one of "those" projects with a $1m budget... Doesn't make it much better, does it? Just because you have that kinda dough to play with does not give you the right to make us movie goers suffer through a 92 minute film just because you got bored while in between projects. Keep to what your good at and leave the story telling to the "professionals".
Skyline not only has a half-ass story being told by someone who can't tell which end is up, but there is ultimately NO POINT! It's like a kid who loves Legos was just let loose in Lego World and builds some of the most intricate pieces of abstract sculptures that are amazing to look at, but when placed in a row (which he calls a "series") does nothing but jumble the pictures into an "artful mess". That is Skyline. The visual effects are out of this world, but the "art school" cinematography and dramatized slow-motion sequences (along with laughable dialog) take away from what really could have been something. There were glimpses of moments where the story could have taken a turn, but fell right down the sewer.
From brain eating aliens, to action that didn't really make sense, to the cheapest actors imaginable as your main characters (most likely friends of Colin and Greg who thought the idea might have been cool for all of 3 seconds), all the way to an ending that only Disney could have dreamed up. It was one disappointment after another, until the suspense built up so much I jumped at NOTHING which not only sent the poor guy suffering next to men into a fit of giggles but I had to apologize for how lame I felt for that slip of thinking that they finally may have done something right.
Unfortunately Skyline is a less than desirable flick for this weekend. I would suggest saving it for when you're home with your gamin' buddies, just finished some serious fragging, and looking for something to watch while killing your "sudden munchie craving". Maybe then something will be interpreted out of the film.
I give Skyline a 2 out of 5 for effort. But guys... About that sequel you teased to at the end...How about let's NOT and say we did. Just a thought.
Wednesday, November 10, 2010
Amazing Video by David Crowder Band
Yahoo posted this as a top story and I have to say that the video is quite amazing. I remember playing on the lite-brite, but the amount of work that had to go into creating what you are about it see is unbelievable. Definitely worth checking out! This is one music video that shows true creativity.
Labels:
amazing,
David Crowder Band,
light bright,
lite-brite,
SMS Shine,
vintage
Thursday, November 4, 2010
Morning Glory -- REVIEW
Morning Glory is a love story from the production world dedicated to the city of New York. It shows all of the things that those of us who eat, breath, and sleep production deal with every time we are on set. The things that make us "production" or the things that tear us down. Set in one of the production capitals, Morning Glory tells story with a girls dream and desire to make it in the morning news world. New York eventually becomes the main character of Morning Glory and the things that us production workers notice on a daily basis when we are lucky enough to work those odd hours and experience the magic of the final scene of the film for ourselves.
I became so wrapped up in the cinematography and shot choices that I cared less for what was happening in the story. The film is truly a love story for the city of New York, made and told by those that know it best. Those that have walked the streets in the wee hours calling out "we're losing light" as the sun comes up. Those of us who find the magic of what the Brooklyn Bridge really shows us if we can walk along with a camera to catch all of its glory. Those of us who see the hustle and bustle of the New York workers rushing past a gorgeous building in slow motion. Yes I am getting carried away, but the film speaks for itself. It is a series of beautiful images placed in-between cheesy dialog and 30 minutes of insults. But it is not until a kindred spirit takes our cell phones away, closes it in the fridge and forces us to finally take a breath and see the city for what it is do we really understand.
Morning Glory pulls together a great cast but the city outshines them by leaps and bounds. I wish I could say that the film is what kept me watching, but it was the heart and soul of the film that kept me glued to my seat. If you are or have ever worked in production I highly recommend going to see Morning Glory. If you know or have/are dated/dating someone from the "biz" I say you should go (and take that person with you) because it will make you understand why we do what we do - even though it drives us mad, (and sometimes you as well) since we never put our blackberry away.
I give Morning Glory a 4 out of 5, and hope to one day find a kindred spirit who will stash my phone the fridge but still let me be the mad production member that I am.
I became so wrapped up in the cinematography and shot choices that I cared less for what was happening in the story. The film is truly a love story for the city of New York, made and told by those that know it best. Those that have walked the streets in the wee hours calling out "we're losing light" as the sun comes up. Those of us who find the magic of what the Brooklyn Bridge really shows us if we can walk along with a camera to catch all of its glory. Those of us who see the hustle and bustle of the New York workers rushing past a gorgeous building in slow motion. Yes I am getting carried away, but the film speaks for itself. It is a series of beautiful images placed in-between cheesy dialog and 30 minutes of insults. But it is not until a kindred spirit takes our cell phones away, closes it in the fridge and forces us to finally take a breath and see the city for what it is do we really understand.
Morning Glory pulls together a great cast but the city outshines them by leaps and bounds. I wish I could say that the film is what kept me watching, but it was the heart and soul of the film that kept me glued to my seat. If you are or have ever worked in production I highly recommend going to see Morning Glory. If you know or have/are dated/dating someone from the "biz" I say you should go (and take that person with you) because it will make you understand why we do what we do - even though it drives us mad, (and sometimes you as well) since we never put our blackberry away.
I give Morning Glory a 4 out of 5, and hope to one day find a kindred spirit who will stash my phone the fridge but still let me be the mad production member that I am.
Due Date -- REVIEW
Robert Downey Jr how you break my heart. Not even my love for you can save me from the pains in which you inflicted upon me during Due Date. Not even my love for the obseenly odd Zach Galifianakis spared me a pain that could only rival that of child birth. OK, that is probably a bit of a stretch, but I think you get what I am trying to say.
In true Todd Phillips (director) style, this film fits right in with Old School and The Hangover. Although not as good as The Hangover, Due Date has a handful of scenes that are so over the top you aren't sure if you want to run from the theater or laugh. Zach Galifianakis stays true to himself and leaves you just as uncomfortable as ever watching his outragous character torment the poor expecting father (Downey Jr). Even though I stuck it out throug the entire film, at times seriously wishing I hadn't, I will say that the only thing I wish it had included was a Mr. Chow. THAT would have keep me wanting more.
Due Date is a poor attempt of keeping The Hangover fans hungry for more as we wait for the follow-up film to be released. Yes it will force you to laugh, but you will not feel good about yourself for laughing when you walk out. If given a choice between Due Date and Megamind (which also opens this Friday), sadly I would go with the animated family film, and save the vulger obsenity that is Due Date until it is released on DVD. I'm sorry Robert, but do us all a favor and keep to your wonderful role as Tony Stark and Sherlock Holmes, I would much rather watch you kick ass than get your ass handed to you on a platter.
I give Due Date a 2 out of 5.
In true Todd Phillips (director) style, this film fits right in with Old School and The Hangover. Although not as good as The Hangover, Due Date has a handful of scenes that are so over the top you aren't sure if you want to run from the theater or laugh. Zach Galifianakis stays true to himself and leaves you just as uncomfortable as ever watching his outragous character torment the poor expecting father (Downey Jr). Even though I stuck it out throug the entire film, at times seriously wishing I hadn't, I will say that the only thing I wish it had included was a Mr. Chow. THAT would have keep me wanting more.
Due Date is a poor attempt of keeping The Hangover fans hungry for more as we wait for the follow-up film to be released. Yes it will force you to laugh, but you will not feel good about yourself for laughing when you walk out. If given a choice between Due Date and Megamind (which also opens this Friday), sadly I would go with the animated family film, and save the vulger obsenity that is Due Date until it is released on DVD. I'm sorry Robert, but do us all a favor and keep to your wonderful role as Tony Stark and Sherlock Holmes, I would much rather watch you kick ass than get your ass handed to you on a platter.
I give Due Date a 2 out of 5.
Tuesday, September 28, 2010
The Social Network -- Review
The nerds have invaded our world, and things are looking good! With Sheldon Cooper and Leonard Hofstadter on television, it was only a matter of time before the nerds made a come back on the big screen, and they are making their come back in a BIG WAY! The Social Network is the story of how Facebook came to be, and let me tell you it is a nerd's wet dream.
A few years ago, had you asked any teen/college girl what type of guy she was looking for she'd most likely say the jock or the "bad boy", but if you asked today she would probably say that she loves nerds. From 'The Big Bang Theory' to The Social Network, there is a group of new desirables making the "What's Hot" list these days. It is the Sheldon Coopers and the Mark Zuckerbergs of the world that are now getting all of the attention, and this Friday you will see what I mean.
The Social Network hits theaters this weekend, and it is a classic in the making. Jesse Eisenberg plays the insanely intelligent, all be it slightly socially challenged, creator of Facebook Mark Zuckerberg. In this unbelievable role Jesse shines like the north star and shows that he is a force to be reckoned with in the acting community. Yes, there are those of you out there that will confuse him with that kid from Scott Pilgrim and 'Arrested Development', but once you see this film you will surely know the difference between Jesse Eisenberg and Michael Cera. You will know with absolute certainty that Michael Cera is just that kid that keeps making the same movies over and over again, only difference being the titles, while Jesse Eisenberg has gone from Zombieland to a role that rivals the genius of the amazing James Parsons (2010 Emmy winner for his role as Sheldon Cooper in 'The Big Bang Theory') as he gives the nerds we have grown to love on the home screen, a run for their money. His portrayal shines a light on the man behind what we spend 18 hours a day on the internet, updating our statuses and poking our friends.
From the opening scene (which I found to be a mix of genuine awkwardness and comedic genius) throws you into the deep end of the pool with a very special type of person, that most people either love or hate. But as you watch this character, he grows on you until you realize that you cannot hate anyone like Mark because they simply cannot help themselves. That sense of linear thinking draws a deep line in the sand and challenges anyone daring to get close enough to cross over to his side. You will love to hate the man for his pure honesty and lack of bull-shit (if only everyone was that honest... although maybe not as that could turn out quite scary). It is Jesse's expressions (or lack there of) and his seriousness throughout the entire film that makes you realize just how talented this young actor is. I believe that there are very few actors today with the discipline to pull off such a complicated role with such perfection, yet Jesse is able to do so and make it believable is jaw dropping. It is these unusual roles that challenge and set apart the "men from the boys" and I have to give kudos to the amazing actors that take on these roles and bring them to life like they do because it's not an easy task, especially when based on real people, and especially living people.
I'm not sure what the real Mark Zuckerberg is thinking when it comes to watching his college years played out on the silver screen, or if he even thought his life would be one that people would pay to see. The one thing I will tell you is -- The Social Network is sure to give you mixed feelings regarding some of the events that took place between friends and fellow computer geniuses, but I guarantee you, that after seeing this film you will have a new found love and respect for the men behind the life changing website. You will walk out of the theater feeling intellectually stimulated just having had the ability to keep up with the quick jabs and techy dialogue between the computer nerds, while all the time being thoroughly entertained by the amazing talents of Jesse Eisenberg, Andrew Garfield (who portrays Eduardo Saverin), and Justin Timberlake (who portrays Sean Parker - "the other Napster guy"). It is the combination of these three and their dynamic relationship and struggles to maintain their friendships while creating one of the world's most influential websites yet to be developed.
So regardless of what your relationship status is, update your status and post that you will be going to the theater this weekend to check out The Social Network. I guarantee that you will be adding it to your favorite films list the minute you get home.
I give The Social Network a 5 out of 5. I love Nerds!
A few years ago, had you asked any teen/college girl what type of guy she was looking for she'd most likely say the jock or the "bad boy", but if you asked today she would probably say that she loves nerds. From 'The Big Bang Theory' to The Social Network, there is a group of new desirables making the "What's Hot" list these days. It is the Sheldon Coopers and the Mark Zuckerbergs of the world that are now getting all of the attention, and this Friday you will see what I mean.
The Social Network hits theaters this weekend, and it is a classic in the making. Jesse Eisenberg plays the insanely intelligent, all be it slightly socially challenged, creator of Facebook Mark Zuckerberg. In this unbelievable role Jesse shines like the north star and shows that he is a force to be reckoned with in the acting community. Yes, there are those of you out there that will confuse him with that kid from Scott Pilgrim and 'Arrested Development', but once you see this film you will surely know the difference between Jesse Eisenberg and Michael Cera. You will know with absolute certainty that Michael Cera is just that kid that keeps making the same movies over and over again, only difference being the titles, while Jesse Eisenberg has gone from Zombieland to a role that rivals the genius of the amazing James Parsons (2010 Emmy winner for his role as Sheldon Cooper in 'The Big Bang Theory') as he gives the nerds we have grown to love on the home screen, a run for their money. His portrayal shines a light on the man behind what we spend 18 hours a day on the internet, updating our statuses and poking our friends.
From the opening scene (which I found to be a mix of genuine awkwardness and comedic genius) throws you into the deep end of the pool with a very special type of person, that most people either love or hate. But as you watch this character, he grows on you until you realize that you cannot hate anyone like Mark because they simply cannot help themselves. That sense of linear thinking draws a deep line in the sand and challenges anyone daring to get close enough to cross over to his side. You will love to hate the man for his pure honesty and lack of bull-shit (if only everyone was that honest... although maybe not as that could turn out quite scary). It is Jesse's expressions (or lack there of) and his seriousness throughout the entire film that makes you realize just how talented this young actor is. I believe that there are very few actors today with the discipline to pull off such a complicated role with such perfection, yet Jesse is able to do so and make it believable is jaw dropping. It is these unusual roles that challenge and set apart the "men from the boys" and I have to give kudos to the amazing actors that take on these roles and bring them to life like they do because it's not an easy task, especially when based on real people, and especially living people.
I'm not sure what the real Mark Zuckerberg is thinking when it comes to watching his college years played out on the silver screen, or if he even thought his life would be one that people would pay to see. The one thing I will tell you is -- The Social Network is sure to give you mixed feelings regarding some of the events that took place between friends and fellow computer geniuses, but I guarantee you, that after seeing this film you will have a new found love and respect for the men behind the life changing website. You will walk out of the theater feeling intellectually stimulated just having had the ability to keep up with the quick jabs and techy dialogue between the computer nerds, while all the time being thoroughly entertained by the amazing talents of Jesse Eisenberg, Andrew Garfield (who portrays Eduardo Saverin), and Justin Timberlake (who portrays Sean Parker - "the other Napster guy"). It is the combination of these three and their dynamic relationship and struggles to maintain their friendships while creating one of the world's most influential websites yet to be developed.
So regardless of what your relationship status is, update your status and post that you will be going to the theater this weekend to check out The Social Network. I guarantee that you will be adding it to your favorite films list the minute you get home.
I give The Social Network a 5 out of 5. I love Nerds!
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